課程大綱

課程資訊

課程名稱	聲景與聲音藝術 Soundscape/sound Art: Concepts and Practices
開課學期	99-2
授課對象	文學院音樂學研究所
授課教師	楊建章
課號	Music5083
課程識別碼	144EU1110
班次
學分	3
全/半年	半年
必/選修	選修
上課時間	星期四6,7,8(13:20~16:20)
上課地點	樂學館105
備註	本課程以英語授課。與澎葉生合開限學士班三年級以上總人數上限：15人
Ceiba 課程網頁	http://ceiba.ntu.edu.tw/992soundscape
課程簡介影片
核心能力關聯	核心能力與課程規劃關聯圖
課程大綱
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課程概述	This course deals with the concept of SOUNDSCAPE and the practices of SOUND ART. Soundscape is a mental tool to listen to and to understand our environment; it is also an engaging dialogue with our “Umwelt.” Sound art is an array of actions and interventions to enhence and distort our perception of sounds.
課程目標	- Presentations of researches and artwork dealing with these topics. Video documentation, attentive listening, explanation of the background of the artists and discussion about the aesthetic questions that they raise. - Practical processes. The students are asked to develop some basic elements of the practices. They'll need to use their creativity and their sensitivity to produce some experiences which will be shared and discussed. - Assemblage, a collective creation. Through the sessions, we'll try to produce a flow of small-scale creations that would be progressively gathered into a publication. - Some outdoor sessions : some of the class will happen in various urban or semi-urban environment. Therefore we'll be able to discuss about field practices and in-site artworks where it happens.
課程要求	Class participation 30% Class assignments 30% Final project 40%
預期每週課後學習時數
Office Hours	每週二 15:30~16:30 備註：聯絡方式： chienchang@ntu.edu.tw
指定閱讀
參考書目	Arkette, Sophie. "Sounds Like City." Theory, Culture, Society 21, no. 1, (2004): 159–68. Augoyard, Jean-Francois. Torgue, Henry. Sonic Experience: A Guide To Everyday Sounds. 1998. McGill-Queen's University Press 2006. Buck-Morss, Susan. The Dialectics of Seeing: Walter Banjamin and the Arcades Project. Cambridge, Mass.: MIT Press, 1989. Casey, Edward. "How to Get from Space to Place in a Fairly Short Time: Phenomenological Prelegomena." In Senses of Place, edited by Steven Feld and Keith H. Basso, 13–52. Santa Fe: SAR Press, 1996. Corbin, Alain. Time, Desire and Horror: Towards a History of the Senses. Cambridge: Polity Press, 1995. Debord, Guy. The theory of the Derive. Les Levres Nues #9 (Paris, November 1956). Reprinted in Internationale Situationniste #2 (Paris, December 1958). http://www.arts.ucsb.edu/classes/ART22W06/situtexts.html David Dunn, Why do Children and Whales Sing ? Earth Ear, USA. 1999 Feld, Steven. Sound and Sentiment : Birds, Weeping, Poetics, and Song in Kaluli Expression. 2nd ed. Philadelphia: University of Pennsylvania Press, 1990. ———. "Waterfalls of Song: An Acoustemology of Place Resounding in Bosavi, Papua New Guinea." In Senses of Place, edited by Steven Feld and Keith H. Basso, 91–135. Santa Fe: SAR Press, 1996. Garrioch, David. "Sounds of the City: The Soundscape of Early Modern European Cities." Urban History 30, no. 1, (2003): 5–25. Guy, Nancy. "Flowing Down Taiwan's Tamsui River: Towards an Ecomusicology of the Environmental Imagination." Ethnomusicology 53, no. 2, (2008): 218–48. Krause, Bernie L. The Niche Hypothesis: How Animals Taught Us to Dance and Sing. "Bioacoustics, Habitat Ambience in Ecological Balance," Whole Earth Review, #57, Winter, 1987. Lopez, Francisco. Schizophonia vs. l’objet sonore: soundscapes and artistic freedom. 1997. http://www.franciscolopez.net Harvey, David. Spaces of Global Capitalism: Toward a Theory of Uneven Geographical Development. London: Verso, 2006. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991. Payer, Peter. "The Age of Noise: Early Reactions in Vienna, 1870–1914." Journal of Urban History 33, no. 5, (2007): 773-93. Richards, Fiona, ed. The Soundscaples of Australia: Music, Place and Spirituality. Aldershot: Ashgate, 2006. Russolo, Luigi. The Art Of Noises 1913. UbuClassics 2004 http://www.ubu.com/historical/russolo/index.html Schafer, R. Murray. 1977. The Tuning of the World. New York: McClleland and Stewart. Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, Mass.: MIT Press, 2003. Yablon, Nick. "Echoes of the City: Spacing Sound, Sounding Space 1888–1916." American Literary History (2007).
評量方式 (僅供參考)

課程進度

週次	日期	單元主題
第1週	2/24	Introduction
第3週	3/10	Anecdotes
第4週	3/17	Sonograms
第5週	3/24	Practice on sound recording
第6週	3/31	Sound anthropology
第7週	4/07	Audio-documentary
第8週	4/14	Practice : Sound Fiction
第9週	4/21	Improvisation
第10週	4/28	BREAK (no class)
第11週	5/05	An approach to choreography with sound
第12週	5/12	In-site action
第13週	5/19	Technical Workshop 1
第14週	5/26	Technical Workshop 2
第15週	6/02	Project Presentations
第16週	6/09	Project Presentations
第17週	6/16	Project Presentations